Battles of December 4 plus museums and artwork information

Battles of December 4 including descriptions of the battles, geographic locations, associated artwork, and museums where a person can find associated artifacts and artwork.

The Battle of Lund (Charles XI’s War: The Scanian War Between Sweden and Denmark, 1675-1679 (Century of the Soldier 1618-1721))

Date: December 4, 1676
War: The Scania War (1675–1679)
Cause: The Swedish King Charles XI launched a desperate winter counter-offensive to break the Danish siege of Malmö and reclaim the province of Scania, which had been invaded by Denmark.
Result: A decisive Swedish victory, though it was one of the bloodiest battles in Scandinavian history with extremely high casualties on both sides.
Location: The main monument (Slaget vid Lund) stands on the site of the fiercest fighting, just north of the city of Lund.
Coordinates: 55°26′22.6″N 13°06′50.8″E (Decimal: 55.439611, 13.114111)
Paintings:
Slaget vid Lund (The Battle of Lund) by Johann Philip Lemke (1696).
King Charles XI at the Battle of Lund by David Klöcker Ehrenstrahl (c. 1690s).
The Battle of Lund (Contemporary Engravings) by Romeyn de Hooghe (c. 1677).
Museums with Associated Artifacts & Art:
Swedish History Museum (Historiska museet) (Stockholm, Sweden): Holds artifacts from the Scania War and related military history.
Malmö Art Museum / Malmöhus Castle (Malmö, Sweden): Located near the conflict zone, this museum features exhibits on the Scania War and regional history.
The Royal Armory (Livrustkammaren) (Stockholm, Sweden): Contains weapons, armor, and uniforms from the era of Charles XI.
Kulturen (Lund, Sweden): An open-air museum that frequently highlights local history related to the battle.
The Battle of the Shangani Patrol (The Shangani Patrol) (Matabele: The War of 1893 and the 1896 Rebellions)
Date: December 4, 1893
War: The First Matabele War
Cause: A small British South Africa Company patrol, led by Major Allan Wilson, crossed the Shangani River in pursuit of the Ndebele King Lobengula. They were cut off from their main column by the rising river and surrounded by over 3,000 Ndebele warriors.
Result: Total annihilation of the patrol. The 34 soldiers fought to the last man, an event that became a significant legend in British colonial history known as “Wilson’s Last Stand.”

Location: The Pupu Battlefield Memorial (where the patrol made its last stand), located near the Shangani River in the Lupane district, roughly 40km east of the main Bulawayo-Victoria Falls road.

Coordinates: 18°46′05″S 28°07′33″E (Decimal: -18.768056, 28.125833)

Note: Major Wilson and his men were later reburied at World’s View in the Matobo Hills, but the coordinates above mark the actual battlefield.

Paintings:
There Were No Survivors (also known as The Last Stand of Major Allan Wilson) by Allan Stewart (1896).
The Shangani Patrol by Richard Caton Woodville (c. 1900).
Museums with Associated Artifacts & Art:
Natural History Museum of Zimbabwe (Bulawayo, Zimbabwe): Features exhibits on the Ndebele kingdom and the colonial wars, including relics from the patrol.
National Army Museum (London, United Kingdom): Holds archives, medals, and artwork related to the British South Africa Company and the Matabele Wars.
Zimbabwe Military Museum (Gweru, Zimbabwe): dedicated to the military history of the nation, including the colonial conflicts.

The Battle of Longewala (Indo-Pakistani War of 1971: Volume 1 – Indian Military Intervention in East Pakistan (Asia@War))

Date: December 4–7, 1971 (Battle began the night of Dec 4)
War: Indo-Pakistani War of 1971
Cause: A surprise Pakistani armored invasion force (over 40 tanks and 2,000 troops) attempted to capture the Indian border post of Longewala to cut off Jaisalmer.
Result: A decisive Indian victory. A small company of Indian soldiers (approx. 120 men) held the post throughout the night of December 4th until the Indian Air Force arrived at dawn to destroy the Pakistani tank column.

Location: The Longewala War Memorial, which sits directly on the site of the 1971 engagement in the Thar Desert, Rajasthan.

Coordinates: 27°31′12″N 70°09′36″E (Decimal: 27.520000, 70.160000)

Paintings & Visuals:
The Battle of Longewala (Dioramas and Murals) by Unknown Military Artists / Indian Army Corps of Engineers (Contemporary/Modern).
Hunter over Longewala (Aviation Art depictions) often featured in Air Force galleries, depicting the Hawker Hunter jets destroying tanks.
Museums with Associated Artifacts & Art:
Longewala War Memorial (Longewala, Rajasthan, India): Located at the actual battle site, this open-air museum features the captured Pakistani T-59 tanks, the original Indian recoilless rifles used in the defense, and murals depicting the events of the night of December 4.
Jaisalmer War Museum (Jaisalmer, India): Features a dedicated “Longewala Hall” with detailed paintings, maps, and artifacts from the battle.
Indian Air Force Museum (Palam, New Delhi, India): Houses the Hawker Hunter aircraft type used to stop the armored advance.

The Battle of Waynesboro, Georgia (Southern Storm: Sherman’s March to the Sea)

Date: December 4, 1864
War: American Civil War (Sherman’s March to the Sea)
Cause: Union Cavalry commander Judson Kilpatrick moved to burn bridges and clear the route for General Sherman’s main army, clashing with Confederate cavalry led by Joseph Wheeler.
Result: Union victory. The Confederate forces were pushed back, allowing Sherman’s army to continue its march toward Savannah and the sea.

Location: The battle took place around the town of Waynesboro, Georgia. A historical marker denoting the cavalry action is located near the intersection of South Liberty Street and GA Hwy 24.

Coordinates: 33°05′23″N 82°00′57″W (Decimal: 33.089722, -82.015833)

Paintings:
Sherman’s March to the Sea (Engravings/Sketches) by Alexander Hay Ritchie (1868). (While specific oil paintings of the Waynesboro skirmish are rare, this famous engraving covers the campaign).
Contemporary War Sketches published in Harper’s Weekly (December 1864).
Museums with Associated Artifacts & Art:
Atlanta History Center (Atlanta, USA): Contains one of the largest collections of Civil War artifacts, including the “Cyclorama” painting (though depicting the Battle of Atlanta, it covers the context of the campaign).
Burke County Museum (Waynesboro, Georgia, USA): A local museum holding specific artifacts and information regarding the cavalry action in Waynesboro.
The National Civil War Museum (Harrisburg, Pennsylvania, USA): Houses a vast collection of artifacts, uniforms, and sketches from Sherman’s campaigns.

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Battles of December 3 plus museums and artwork information

Battles of December 3 including descriptions of the battles, associated artwork, and museums where a person can find associated artifacts and artwork.

Battle of Hohenlinden (Marengo & Hohenlinden: Napoleon’s Rise to Power)

Date: December 3, 1800
War: War of the Second Coalition (French Revolutionary Wars)
Cause: French General Jean Victor Marie Moreau aimed to secure a decisive victory against the Austrian and Bavarian forces led by Archduke John. The Austrians, believing the French were retreating, advanced through the dense Ebersberg forest in four disconnected columns, walking into a meticulously planned French ambush.
Result: Decisive French victory. The Austrian army was shattered, losing over 17,000 men. This victory, combined with Napoleon’s earlier success at Marengo, forced Austria to sign the Treaty of Lunéville, effectively dismantling the Second Coalition.
Associated Paintings
Painting/Work: The Battle of Hohenlinden
Artist: Henri Frédéric Schopin
Year: 1836
Painting/Work: Group of Cavalry in the Snow: Moreau and Dessoles before Hohenlinden
Artist: Jean-Louis-Ernest Meissonier
Year: 1875
Museums and Collections
Palace of Versailles (Galerie des Batailles) — Versailles, France
Schopin's "The Battle of Hohenlinden" is displayed here among the
great military victories of France. The gallery serves as a
historical record of French martial glory.
National Gallery of Ireland — Dublin, Ireland
Houses Meissonier's "Group of Cavalry in the Snow," a masterpiece
detailing the harsh winter conditions and the strategic planning of
General Moreau before the battle.
Heeresgeschichtliches Museum (Museum of Military History) — Vienna, Austria
Contains extensive collections related to the Austrian army of the Napoleonic
wars, including uniforms, standards, and weapons similar to those
used by the defeated forces at Hohenlinden.

Battle of the Eureka Stockade (Eureka Stockade: A Ferocious and Bloody Battle)

Date: December 3, 1854
War: Eureka Rebellion (Civil Uprising)
Cause: Tensions between gold miners (“diggers”) and the colonial authority of Victoria, Australia, reached a breaking point over exorbitant mining license fees, police corruption, and a lack of voting rights. The miners built a crude wooden stockade in Ballarat and swore an oath to defend their rights and liberties.
Result: Military victory for the colonial forces, but a political victory for the miners. The stockade was overrun in a short, violent dawn raid by British soldiers and police, killing at least 22 diggers. However, public sympathy shifted to the miners, leading to major democratic reforms and the introduction of male suffrage in Victoria.
Associated Paintings
Painting/Work: Eureka Stockade (Mural series)
Artist: Sidney Nolan
Year: 1949
Painting/Work: Attack on the Eureka Stockade (Watercolor)
Artist: J.B. Henderson
Year: 1854 (Contemporary account)
Museums and Collections
Eureka Centre Ballarat — Ballarat, Australia
Located at the site of the rebellion, this museum interprets the social
history of the event. It is the home of the original "Eureka
Flag" (Flag of the Southern Cross), which has become a potent
symbol of Australian democracy and protest.
Art Gallery of Ballarat — Ballarat, Australia
Holds J.B. Henderson's contemporary watercolor "Attack on the Eureka
Stockade," one of the few visual records created shortly after
the event, along with other colonial-era artworks depicting the
goldfields.
Museum of Australian Democracy (Old Parliament House) — Canberra, Australia
Features exhibits on the development of Australian democracy, citing the
Eureka Stockade as a foundational event. It also holds works from
Sidney Nolan's "Eureka" series.

Second Battle of Orléans (The Franco-Prussian War: The German Conquest of France in 1870-1871)

Date: December 3–4, 1870
War: Franco-Prussian War
Cause: Following the initial capture of Orléans by the Prussians and its subsequent recapture by the French, the Prussian Second Army under Prince Friedrich Karl launched a counter-offensive. The French Army of the Loire, attempting to advance towards Paris to relieve the siege, clashed with the Prussians just north of the city.
Result: Prussian victory. The French lines collapsed under the assault, forcing them to abandon Orléans once again. The defeat severely damaged the morale of the French provisional government and diminished hopes of lifting the Siege of Paris.
Associated Paintings
Painting/Work: Franco-Prussian War: Second Battle of Orléans (Engraving/Print)
Artist: Artigas (and various contemporary engravers)
Year: 1871
Painting/Work: General Chanzy at the Battle of Orléans (Illustration)
Artist: Alphonse de Neuville (Associated military artist of the period)
Year: c. 1872
Museums and Collections
Musée de la Guerre de 1870 — Loigny-la-Bataille, France
While focused on the nearby Battle of Loigny (Dec 2), this museum covers
the entire Loire campaign, including the battles for Orléans. It
displays weapons, uniforms, and art related to the Army of the Loire
and the Prussian forces.
Musée des Beaux-Arts d’Orléans — Orléans, France
Contains art and historical objects relevant to the city's history, including
works depicting the various sieges and battles the city endured
during the Franco-Prussian War.
Deutsches Historisches Museum — Berlin, Germany
Houses a vast collection of artifacts from the wars of German Unification,
including Prussian uniforms, medals, and battle maps detailing the
capture of Orléans.

Operation Chengiz Khan (Start of the Indo-Pakistani War of 1971) (Indo-Pakistani War of 1971: Volume 1 – Indian Military Intervention in East Pakistan)

Date: December 3, 1971
War: Indo-Pakistani War of 1971 / Bangladesh Liberation War
Cause: Seeking to neutralize the Indian Air Force (IAF) and gain air superiority before a ground offensive, the Pakistan Air Force (PAF) launched preemptive airstrikes against 11 Indian airbases and radar stations at dusk, inspired by the Israeli strategy in the Six-Day War.
Result: Pakistani strategic failure. The airstrikes caused minimal damage to Indian runways and aircraft. In response, Indian Prime Minister Indira Gandhi declared war that same night. The failure of the operation allowed the IAF to quickly establish air dominance, contributing to India’s victory 13 days later.
Associated Paintings
Painting/Work: Sabre Slayers (Depicting the Gnat vs Sabre air battles of the war)
Artist: Group Captain Debatosh Das (and other aviation artists)
Year: Contemporary (Post-1971)
Painting/Work: Hunters at Longewala (Depicting the air support following the outbreak)
Artist: Various Aviation Artists
Year: Various
Museums and Collections
Indian Air Force Museum, Palam — New Delhi, India
The premier museum of the IAF, featuring aircraft that flew in the 1971
war, including the Folland Gnat and Hawker Hunter. It houses an art
gallery with paintings depicting the air battles of December 1971.
Pakistan Air Force Museum — Karachi, Pakistan
Displays aircraft such as the F-86 Sabre used during Operation Chengiz Khan.
The museum includes archives and galleries dedicated to the PAF's
role in the 1971 conflict.
National War Memorial — New Delhi, India
A monument and museum complex dedicated to the Indian armed forces. It
includes murals and bronze reliefs depicting key battles of the 1971
war, including the initial air defense and subsequent ground
operations.

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Tags: military museum, military artwork, Indo-Pakistani War, Eureka Rebellion, Franco-Prussian War, India history, Pakistan history, French history, Prussian history, Australian history

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Battles of December 2 plus museums and artwork information

Battles of December 2 including descriptions of the battles, associated artwork, and museums where a person can find associated artifacts and artwork.
Battle of Austerlitz (Battle of the Three Emperors) (1805 Austerlitz: Napoleon and the Destruction of the Third Coalition)
Date: December 2, 1805
War: War of the Third Coalition (Napoleonic Wars)
Cause: Emperor Napoleon I aimed to crush the Allied forces of the Russian and Austrian empires before Prussia could join the coalition. Feigning weakness and abandoning the strategic Pratzen Heights, Napoleon lured the Allies into attacking his right flank, exposing their center to a decisive French counterattack.
Result: Decisive French victory. The battle forced Austria to sign the Treaty of Pressburg, effectively ending the war and leading to the dissolution of the Holy Roman Empire.
Associated Paintings
Painting/Work: Battle of Austerlitz, 2 December 1805
Artist: François Gérard
Year: 1810
Painting/Work: Bivouac of Napoleon on the Eve of Austerlitz
Artist:Louis-François,
Baron Lejeune
Year: 1808
Museums and Collections
Palace of Versailles (Galerie des Batailles) — Versailles, France
This museum houses the monumental "Battle of Austerlitz" by
François Gérard. The Galerie des Batailles is specifically designed
to showcase the greatest French military victories, and the
Austerlitz painting is one of its centerpieces.
Slavkov Castle (Austerlitz Battlefield) — Slavkov u Brna, Czech Republic
Located on the actual battlefield, this museum features weapons, uniforms,
and artifacts recovered from the site. It also includes the Cairn of
Peace memorial and multimedia exhibits detailing the tactical
movements of the "Three Emperors."
Musée de l’Armée (Les Invalides) — Paris, France
Contains an extensive collection of Napoleonic arms, armor, and personal
effects of Napoleon I, including items used during the 1805 campaign.
Battle of Tirad Pass (The Philippine War, 1899-1902)
Date: December 2, 1899
War: Philippine–American War
Cause: A rearguard action led by General Gregorio del Pilar designed to delay the advancing American 33rd Volunteer Infantry Regiment. The goal was to buy time for the President of the Philippine Republic, Emilio Aguinaldo, to escape into the mountains of Northern Luzon.
Result: American tactical victory, but a strategic Filipino success. The Filipino defenders were almost entirely wiped out, including General del Pilar, but their sacrifice delayed the Americans long enough for Aguinaldo to escape capture for over a year.
Associated Paintings
Painting/Work: Untitled (Battle of Tirad Pass)
Artist: Hugo Yonzon
Year: 1970
Painting/Work: The Death of General Gregorio del Pilar (Various illustrations/murals)
Artist: Various Artists (often depicted in commemorative murals)
Year: Various (20th Century)
Museums and Collections
Gregorio del Pilar Shrine — Ilocos Sur, Philippines
A national shrine marking the exact location of the battle. It serves
as a memorial to the "Boy General" and his 60 men,
containing historical markers and serving as a pilgrimage site for
Filipino history.
National Museum of Fine Arts — Manila, Philippines
Houses significant works of Philippine art and history. While specific
paintings of the battle rotate, the museum holds the broader
collection of revolutionary-era artifacts and works by artists like
Juan Luna and Fernando Amorsolo who depicted the era's struggles.
Bulacan Provincial Capitol — Malolos, Philippines
Features a prominent equestrian statue and historical memorabilia related to
General del Pilar, who was a native of the province.
Battle of Loigny-Poupry (The Franco-Prussian War: The German Conquest of France in 1870-1871)
Date: December 2, 1870
War: Franco-Prussian War 
Cause: The French Army of the Loire attempted to break through the Prussian lines to relieve the Siege of Paris. The battle centered on the village of Loigny, where French forces, including the Papal Zouaves, launched desperate attacks against well-entrenched German positions.
Result: German victory. The French advance was halted, and the Army of the Loire was forced to retreat, ending the hope of lifting the siege of Paris from the south.
Associated Paintings
Painting/Work: The Battle of Loigny
Artist: Lionel Royer (who fought in the battle)
Year: c. 1870s–1880s
Painting/Work: General de Sonis on the Battlefield of Loigny
Artist: Lionel Royer
Year: 1889
Museums and Collections
Musée de la Guerre de 1870 (Museum of the War of 1870) — Loigny-la-Bataille, France
Located on the site of the battle, this museum is dedicated entirely to the
conflict. It houses Lionel Royer's paintings, uniforms of the Papal
Zouaves, weapons, and archeological finds from the battlefield.
Musée de l’Armée — Paris, France
Holds a vast collection of Franco-Prussian war artifacts, including French
and Prussian uniforms, artillery pieces similar to those
used at Loigny, and paintings depicting the "Année Terrible"
(The Terrible Year).

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Tags: military museum, military artwork, Napoleonic Wars, Franco-Prussian War, Philippine–American War

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