Battles of December 3 plus museums and artwork information

Battles of December 3 including descriptions of the battles, associated artwork, and museums where a person can find associated artifacts and artwork.

Battle of Hohenlinden (Marengo & Hohenlinden: Napoleon’s Rise to Power)

Date: December 3, 1800
War: War of the Second Coalition (French Revolutionary Wars)
Cause: French General Jean Victor Marie Moreau aimed to secure a decisive victory against the Austrian and Bavarian forces led by Archduke John. The Austrians, believing the French were retreating, advanced through the dense Ebersberg forest in four disconnected columns, walking into a meticulously planned French ambush.
Result: Decisive French victory. The Austrian army was shattered, losing over 17,000 men. This victory, combined with Napoleon’s earlier success at Marengo, forced Austria to sign the Treaty of Lunéville, effectively dismantling the Second Coalition.
Associated Paintings
Painting/Work: The Battle of Hohenlinden
Artist: Henri Frédéric Schopin
Year: 1836
Painting/Work: Group of Cavalry in the Snow: Moreau and Dessoles before Hohenlinden
Artist: Jean-Louis-Ernest Meissonier
Year: 1875
Museums and Collections
Palace of Versailles (Galerie des Batailles) — Versailles, France
Schopin's "The Battle of Hohenlinden" is displayed here among the
great military victories of France. The gallery serves as a
historical record of French martial glory.
National Gallery of Ireland — Dublin, Ireland
Houses Meissonier's "Group of Cavalry in the Snow," a masterpiece
detailing the harsh winter conditions and the strategic planning of
General Moreau before the battle.
Heeresgeschichtliches Museum (Museum of Military History) — Vienna, Austria
Contains extensive collections related to the Austrian army of the Napoleonic
wars, including uniforms, standards, and weapons similar to those
used by the defeated forces at Hohenlinden.

Battle of the Eureka Stockade (Eureka Stockade: A Ferocious and Bloody Battle)

Date: December 3, 1854
War: Eureka Rebellion (Civil Uprising)
Cause: Tensions between gold miners (“diggers”) and the colonial authority of Victoria, Australia, reached a breaking point over exorbitant mining license fees, police corruption, and a lack of voting rights. The miners built a crude wooden stockade in Ballarat and swore an oath to defend their rights and liberties.
Result: Military victory for the colonial forces, but a political victory for the miners. The stockade was overrun in a short, violent dawn raid by British soldiers and police, killing at least 22 diggers. However, public sympathy shifted to the miners, leading to major democratic reforms and the introduction of male suffrage in Victoria.
Associated Paintings
Painting/Work: Eureka Stockade (Mural series)
Artist: Sidney Nolan
Year: 1949
Painting/Work: Attack on the Eureka Stockade (Watercolor)
Artist: J.B. Henderson
Year: 1854 (Contemporary account)
Museums and Collections
Eureka Centre Ballarat — Ballarat, Australia
Located at the site of the rebellion, this museum interprets the social
history of the event. It is the home of the original "Eureka
Flag" (Flag of the Southern Cross), which has become a potent
symbol of Australian democracy and protest.
Art Gallery of Ballarat — Ballarat, Australia
Holds J.B. Henderson's contemporary watercolor "Attack on the Eureka
Stockade," one of the few visual records created shortly after
the event, along with other colonial-era artworks depicting the
goldfields.
Museum of Australian Democracy (Old Parliament House) — Canberra, Australia
Features exhibits on the development of Australian democracy, citing the
Eureka Stockade as a foundational event. It also holds works from
Sidney Nolan's "Eureka" series.

Second Battle of Orléans (The Franco-Prussian War: The German Conquest of France in 1870-1871)

Date: December 3–4, 1870
War: Franco-Prussian War
Cause: Following the initial capture of Orléans by the Prussians and its subsequent recapture by the French, the Prussian Second Army under Prince Friedrich Karl launched a counter-offensive. The French Army of the Loire, attempting to advance towards Paris to relieve the siege, clashed with the Prussians just north of the city.
Result: Prussian victory. The French lines collapsed under the assault, forcing them to abandon Orléans once again. The defeat severely damaged the morale of the French provisional government and diminished hopes of lifting the Siege of Paris.
Associated Paintings
Painting/Work: Franco-Prussian War: Second Battle of Orléans (Engraving/Print)
Artist: Artigas (and various contemporary engravers)
Year: 1871
Painting/Work: General Chanzy at the Battle of Orléans (Illustration)
Artist: Alphonse de Neuville (Associated military artist of the period)
Year: c. 1872
Museums and Collections
Musée de la Guerre de 1870 — Loigny-la-Bataille, France
While focused on the nearby Battle of Loigny (Dec 2), this museum covers
the entire Loire campaign, including the battles for Orléans. It
displays weapons, uniforms, and art related to the Army of the Loire
and the Prussian forces.
Musée des Beaux-Arts d’Orléans — Orléans, France
Contains art and historical objects relevant to the city's history, including
works depicting the various sieges and battles the city endured
during the Franco-Prussian War.
Deutsches Historisches Museum — Berlin, Germany
Houses a vast collection of artifacts from the wars of German Unification,
including Prussian uniforms, medals, and battle maps detailing the
capture of Orléans.

Operation Chengiz Khan (Start of the Indo-Pakistani War of 1971) (Indo-Pakistani War of 1971: Volume 1 – Indian Military Intervention in East Pakistan)

Date: December 3, 1971
War: Indo-Pakistani War of 1971 / Bangladesh Liberation War
Cause: Seeking to neutralize the Indian Air Force (IAF) and gain air superiority before a ground offensive, the Pakistan Air Force (PAF) launched preemptive airstrikes against 11 Indian airbases and radar stations at dusk, inspired by the Israeli strategy in the Six-Day War.
Result: Pakistani strategic failure. The airstrikes caused minimal damage to Indian runways and aircraft. In response, Indian Prime Minister Indira Gandhi declared war that same night. The failure of the operation allowed the IAF to quickly establish air dominance, contributing to India’s victory 13 days later.
Associated Paintings
Painting/Work: Sabre Slayers (Depicting the Gnat vs Sabre air battles of the war)
Artist: Group Captain Debatosh Das (and other aviation artists)
Year: Contemporary (Post-1971)
Painting/Work: Hunters at Longewala (Depicting the air support following the outbreak)
Artist: Various Aviation Artists
Year: Various
Museums and Collections
Indian Air Force Museum, Palam — New Delhi, India
The premier museum of the IAF, featuring aircraft that flew in the 1971
war, including the Folland Gnat and Hawker Hunter. It houses an art
gallery with paintings depicting the air battles of December 1971.
Pakistan Air Force Museum — Karachi, Pakistan
Displays aircraft such as the F-86 Sabre used during Operation Chengiz Khan.
The museum includes archives and galleries dedicated to the PAF's
role in the 1971 conflict.
National War Memorial — New Delhi, India
A monument and museum complex dedicated to the Indian armed forces. It
includes murals and bronze reliefs depicting key battles of the 1971
war, including the initial air defense and subsequent ground
operations.

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Cold War military history book – “Divided Allies” (Cornell University Press, 2019) – Thomas Robb interview

Dr. Thomas Robb is a historian who studies and teaches British and US military history. We spoke about his latest co-authored book on how the ANZUS and SEATO treaties were developed. Check out the book here.

0:44 – Thomas Robb talks about how he got into writing on Cold War Asia-Pacific military relations.

4:03 – Thomas talks about how he begins the book with WWII and moves into the Cold War chronologically.

6:38 – Thomas talks about Australia’s strong concern about tPacific regional security.

8:25 – Thomas discusses France’s decline and Japan’s importance.

8:48 – Thomas talks about West’s concern with Japan’s resurgence economically.

10:04 – Thomas discusses China’s role in the region.

11:50 – Thomas talks about the Soviet role in the Pacific region.

14:12 – Thomas mentions Soviet pilots in the Korean War.

14:52 – Thomas talks about economic versus national needs of the four nations involved.

16:26 – Thomas mentions complaints about ANZUS.

18:38 – Thomas talks about the approach to nuclear weapons.

21:21 – Thomas discusses the US need for the treaty.

22:03 – Thomas talks about the relative military strengths of the four nations negotiating the treaties.

22:27 – Thomas says NZ and Australia were diplomatically punching above their weight.

22:45 – The Philippines not included in ANZUS.

24:57 – Thomas talks about how each nation could militarily contribute to the alliance.

26:01 – A cordon defense would go nuclear.

27:59 – Thomas talks about western concerns that Japan would become communist.

29:05 – Japanese reparations are discussed.

29:45 – Japanese strategic value was shown.

30:59 – Thomas talks about the payment of German reparations after WWI and compares that to the idea of having Japan pay reparations.

32:55 – Thomas talks about British strategic goals and aliances.

34:00 – The US prodded Britain to drop japan as an ally.

34:57 – Thomas talks about Churchill’s sentimentality.

35:54 – Thomas talks about how domestic politics impacted these treaty negotiations.

37:12 – The public used an excuse to not legitimize some treaty negotiations.

38:50 – The Eisenhower library just released a bunch of previously classified documents.

39:42 – Thomas talks about the archives he used for his research including various Presidential libraries.

42:23 – Thomas talks about going to the Truman library.

43:52 – The UK was angry that Australia and New Zealand went off without them and joined the US.

47:54 – Thomas talks about the interplay of racial ideas influenced policy.

50:44 – Thomas talks about how some of the American negotiators had very intense military ideas.

51:25 – Some of the Americans seemed bonkers to the Australians in their goals.

53:47 – The British met with press barons to impugn the character of a foreign minister over ANZUS negotiations.

1:00:19 – Thomas talks about a new project to study the political economy of the US Civil War.

Links of interest

Check out the book here.

https://www.cornellpress.cornell.edu/book/9781501741845/divided-allies/#bookTabs=3

https://twitter.com/obucoldwarrior

For more “Military History Inside Out” please follow me at www.warscholar.org, on Facebook at warscholar, on twitter at Warscholar, on youtube at warscholar1945 and on Instagram @crisalvarezswarscholar. Or subscribe to the podcast on Apple Podcasts | Stitcher | Spotify

Guests: Thomas Robb

Host: Cris Alvarez

Tags: military, history, military history, conflict, war, interview, non-fiction book, asia-pacific, australia, new zealand, cold war, wwii, world war two, great britain, united states, united kingdom, japan, france, communism, china, NATO, korean war, ANZUS, nuclear weapons, macarthur, truman, philippines, okinawa, malay, SEATO, dean acheson, Russian Empire, Churchill, france, Dulles, US Civil War

20th century military history book – “The Palgrave Handbook of Artistic and Cultural Responses to War since 1914” (Palgrave Macmillan, 2018) – Margaret Baguley and Martin Kirby interview

Martin Kirby and Margaret Baguley are two of three Australian academics who have been editing a new book exploring how war since 1914 has been represented in the arts in Australasia, the US, and in the British Isles. I spoke with Margaret and Martin about the book.

1:45 – Martin and Margaret talk about how they got into studying WWI and military history. Martin talks about how the movie Zulu affected him.

5:16 – Margaret talks about how she grew up in a small town and how important ANZAC day was to her community.

10:28 – Martin walks about the book. It started as a look at Australian art but expanded to include other national experiences. It covers the US, the British Isles, and Australasia. They look at official art, movies, photos, poets, and may other artistic responses to conflict and war.

24:45 – Margaret and Martin talk about what artworks commemorate, attack war, or are neutral about war.

33:45 – Martin and Margaret talk about art aimed at children and how they discuss it in their book. They also touch on the part of the book that look at games and digital technology that deal with military history.

53:13 – Margaret was surprised at finding out details of how official war art was created. She was also disturbed to learn that among their artist peers, war artists were sometimes thought of as having sold out.

For more “Military History Inside Out” please follow me on Facebook at warscholar, on twitter at Warscholar, on youtube at warscholar1945 and on Instagram @crisalvarezswarscholar

Guests: Margaret Baguley and Martin Kirby

Host: Cris Alvarez

Tags: military, history, military history, conflict, war, interview, non-fiction book, Zulu War, WWI, WWII, Australia, US, UK, art, combat art