Battles of December 3 plus museums and artwork information

Battles of December 3 including descriptions of the battles, associated artwork, and museums where a person can find associated artifacts and artwork.

Battle of Hohenlinden (Marengo & Hohenlinden: Napoleon’s Rise to Power)

Date: December 3, 1800
War: War of the Second Coalition (French Revolutionary Wars)
Cause: French General Jean Victor Marie Moreau aimed to secure a decisive victory against the Austrian and Bavarian forces led by Archduke John. The Austrians, believing the French were retreating, advanced through the dense Ebersberg forest in four disconnected columns, walking into a meticulously planned French ambush.
Result: Decisive French victory. The Austrian army was shattered, losing over 17,000 men. This victory, combined with Napoleon’s earlier success at Marengo, forced Austria to sign the Treaty of Lunéville, effectively dismantling the Second Coalition.
Associated Paintings
Painting/Work: The Battle of Hohenlinden
Artist: Henri Frédéric Schopin
Year: 1836
Painting/Work: Group of Cavalry in the Snow: Moreau and Dessoles before Hohenlinden
Artist: Jean-Louis-Ernest Meissonier
Year: 1875
Museums and Collections
Palace of Versailles (Galerie des Batailles) — Versailles, France
Schopin's "The Battle of Hohenlinden" is displayed here among the
great military victories of France. The gallery serves as a
historical record of French martial glory.
National Gallery of Ireland — Dublin, Ireland
Houses Meissonier's "Group of Cavalry in the Snow," a masterpiece
detailing the harsh winter conditions and the strategic planning of
General Moreau before the battle.
Heeresgeschichtliches Museum (Museum of Military History) — Vienna, Austria
Contains extensive collections related to the Austrian army of the Napoleonic
wars, including uniforms, standards, and weapons similar to those
used by the defeated forces at Hohenlinden.

Battle of the Eureka Stockade (Eureka Stockade: A Ferocious and Bloody Battle)

Date: December 3, 1854
War: Eureka Rebellion (Civil Uprising)
Cause: Tensions between gold miners (“diggers”) and the colonial authority of Victoria, Australia, reached a breaking point over exorbitant mining license fees, police corruption, and a lack of voting rights. The miners built a crude wooden stockade in Ballarat and swore an oath to defend their rights and liberties.
Result: Military victory for the colonial forces, but a political victory for the miners. The stockade was overrun in a short, violent dawn raid by British soldiers and police, killing at least 22 diggers. However, public sympathy shifted to the miners, leading to major democratic reforms and the introduction of male suffrage in Victoria.
Associated Paintings
Painting/Work: Eureka Stockade (Mural series)
Artist: Sidney Nolan
Year: 1949
Painting/Work: Attack on the Eureka Stockade (Watercolor)
Artist: J.B. Henderson
Year: 1854 (Contemporary account)
Museums and Collections
Eureka Centre Ballarat — Ballarat, Australia
Located at the site of the rebellion, this museum interprets the social
history of the event. It is the home of the original "Eureka
Flag" (Flag of the Southern Cross), which has become a potent
symbol of Australian democracy and protest.
Art Gallery of Ballarat — Ballarat, Australia
Holds J.B. Henderson's contemporary watercolor "Attack on the Eureka
Stockade," one of the few visual records created shortly after
the event, along with other colonial-era artworks depicting the
goldfields.
Museum of Australian Democracy (Old Parliament House) — Canberra, Australia
Features exhibits on the development of Australian democracy, citing the
Eureka Stockade as a foundational event. It also holds works from
Sidney Nolan's "Eureka" series.

Second Battle of Orléans (The Franco-Prussian War: The German Conquest of France in 1870-1871)

Date: December 3–4, 1870
War: Franco-Prussian War
Cause: Following the initial capture of Orléans by the Prussians and its subsequent recapture by the French, the Prussian Second Army under Prince Friedrich Karl launched a counter-offensive. The French Army of the Loire, attempting to advance towards Paris to relieve the siege, clashed with the Prussians just north of the city.
Result: Prussian victory. The French lines collapsed under the assault, forcing them to abandon Orléans once again. The defeat severely damaged the morale of the French provisional government and diminished hopes of lifting the Siege of Paris.
Associated Paintings
Painting/Work: Franco-Prussian War: Second Battle of Orléans (Engraving/Print)
Artist: Artigas (and various contemporary engravers)
Year: 1871
Painting/Work: General Chanzy at the Battle of Orléans (Illustration)
Artist: Alphonse de Neuville (Associated military artist of the period)
Year: c. 1872
Museums and Collections
Musée de la Guerre de 1870 — Loigny-la-Bataille, France
While focused on the nearby Battle of Loigny (Dec 2), this museum covers
the entire Loire campaign, including the battles for Orléans. It
displays weapons, uniforms, and art related to the Army of the Loire
and the Prussian forces.
Musée des Beaux-Arts d’Orléans — Orléans, France
Contains art and historical objects relevant to the city's history, including
works depicting the various sieges and battles the city endured
during the Franco-Prussian War.
Deutsches Historisches Museum — Berlin, Germany
Houses a vast collection of artifacts from the wars of German Unification,
including Prussian uniforms, medals, and battle maps detailing the
capture of Orléans.

Operation Chengiz Khan (Start of the Indo-Pakistani War of 1971) (Indo-Pakistani War of 1971: Volume 1 – Indian Military Intervention in East Pakistan)

Date: December 3, 1971
War: Indo-Pakistani War of 1971 / Bangladesh Liberation War
Cause: Seeking to neutralize the Indian Air Force (IAF) and gain air superiority before a ground offensive, the Pakistan Air Force (PAF) launched preemptive airstrikes against 11 Indian airbases and radar stations at dusk, inspired by the Israeli strategy in the Six-Day War.
Result: Pakistani strategic failure. The airstrikes caused minimal damage to Indian runways and aircraft. In response, Indian Prime Minister Indira Gandhi declared war that same night. The failure of the operation allowed the IAF to quickly establish air dominance, contributing to India’s victory 13 days later.
Associated Paintings
Painting/Work: Sabre Slayers (Depicting the Gnat vs Sabre air battles of the war)
Artist: Group Captain Debatosh Das (and other aviation artists)
Year: Contemporary (Post-1971)
Painting/Work: Hunters at Longewala (Depicting the air support following the outbreak)
Artist: Various Aviation Artists
Year: Various
Museums and Collections
Indian Air Force Museum, Palam — New Delhi, India
The premier museum of the IAF, featuring aircraft that flew in the 1971
war, including the Folland Gnat and Hawker Hunter. It houses an art
gallery with paintings depicting the air battles of December 1971.
Pakistan Air Force Museum — Karachi, Pakistan
Displays aircraft such as the F-86 Sabre used during Operation Chengiz Khan.
The museum includes archives and galleries dedicated to the PAF's
role in the 1971 conflict.
National War Memorial — New Delhi, India
A monument and museum complex dedicated to the Indian armed forces. It
includes murals and bronze reliefs depicting key battles of the 1971
war, including the initial air defense and subsequent ground
operations.

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Tags: military museum, military artwork, Indo-Pakistani War, Eureka Rebellion, Franco-Prussian War, India history, Pakistan history, French history, Prussian history, Australian history

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20th century oil wars interview

Here’s the youtube version of my interview with Emily Meierding about the myth of wars being started just over oil.

How US artillery dominated the Iraq military in the First Gulf War – Interview with L. Scott Lingamfelter

How US artillery dominated the Iraq military in the First Gulf War – Interview with L. Scott Lingamfelter

Check out this book here   https://amzn.to/3e5qbza

Interview Timeline

L. Scott Lingamfelter was a senior Artillery Officer and Middle East expert when he participated in the First Gulf War as XO of 1st ARTY. He wrote a book detailing his time in that war, including tactical and operational issues, and his thoughts about the geopolitical and strategic aspects of the war. We spoke about the book and the war. Desert Redleg (University Press of Kentucky, 2020)

0:41 – Scott talks about why he wanted to write about his experiences in the First Gulf War.

1:34 – Scott talks about the start of his career in 1973 as an artillery officer and as a Middle East specialist.

3:12 – Scott talks about the use of artillery between the Vietnam War and the First Gulf War.

6:58 – Scott talks about the logistics of moving artillery into the Gulf War theater.

9:43 – Scott talks about the artillery that the division used.

12:15 – Scott talks about the obstacles they faced once they were in the Middle East.

15:23 – Scott talks about the placement of the artillery units and their protection.

18:19 – Scott talks about the size of the division and armament.

19:56 – Scott talks about counter fire.

21:32 – Scott talks about the other threats to the safety and health of the Division. He discusses unexploded and failed ordnance.

24:26 – Scott talks about the threat of chemical attack.

28:03 – Scott talks about dealing with dust and heat.

29:48 – Scott talks about instilling hygiene practices among the troops.

32:47 – Scott talks about resupply issues and the Tapline Road.

35:51 – Scott talks about the casualties on the Tapline Road.

37:29 – Scott talks about what the damage they had wrought in Iraq was like.

40:02 – Scott discusses the amount of firepower used in the First Gulf War.

44:22 – Scott discusses the combat effects of the artillery on enemy morale.

46:21 – Scott talks about the Vietnam veterans that developed the Air-Land battle concept used in the Gulf War.

47:35 – Scott talks about how he presents information in the book.

52:12 – Scott talks about coordination between foreign partners and with other services.

55:09 – Scott was surprised by the dud rate when he went back to his notes. He was also surprised at how good his diary notes were.

59:06 – Scott talks about how he expected the US to return to Iraq to fight Saddam again.

1:01:31 – Scott talks about how he almost became General Schwarzkopf’s aide-de-camp.

1:03:08 – Scott talks about how the book is written from a tactical point of view.

1:06:42 – Scott talks about getting the book written and published. He had to write some difficult things as he saw them.

1:10:11 – Scott be found at copybookwarrior.com. Readers can use the code FS30 on the University Press of Kentucky until the end of July to get 30% of the book.

Links of interest

https://amzn.to/3e5qbza

https://www.kentuckypress.com/9780813179209/desert-redleg/

https://www.copybookwarrior.com

Contact Information

For more “Military History Inside Out” please follow me at www.warscholar.org, on Facebook at warscholar, on twitter at Warscholar, on youtube at warscholar1945 and on Instagram @crisalvarezswarscholar. Or subscribe to the podcast on Apple Podcasts | Google Podcasts | Stitcher | Spotify

Guests: L. Scott Lingamfelter

Host: Cris Alvarez

Tags: Books, audio interviews, author, academic, podcast, University Press of Kentucky, Modern War, United States,

Check out this book here   https://amzn.to/3e5qbza

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