Battles of December 17 plus museums and artwork information

Battles of December 17 including descriptions of the battles, geographic locations, associated artwork, and museums where a person can find associated artifacts and artwork.

1. The Siege of Godesberg (1583)

Date: November 18 – December 17, 1583

War: Cologne War (1583–1588)

  • Description: A pivotal siege in the conflict between Protestant and Catholic factions for control of the Electorate of Cologne, a state of the Holy Roman Empire.
  • Cause: Gebhard Truchsess von Waldburg, the Prince-Elector of Cologne, converted to Calvinism and attempted to secularize the electorate, prompting a Catholic counter-force led by Ernest of Bavaria to intervene.
  • Result: Catholic Victory. On December 17, Bavarian forces successfully breached the walls of the Godesburg fortress using mines. The castle was stormed, and the defenders were defeated, securing a major stronghold for the Catholic faction.

Art & Museums

  • Painting/Artwork:
    • Siege of Godesberg (Engraving) by Frans Hogenberg (c. 1583). Hogenberg documented the Cologne War in a series of detailed engravings.
  • Museums with Artifacts:
    • Godesburg Fortress Ruins (Bad Godesberg, Bonn, Germany): The site itself serves as a monument, with preserved ruins and historical markers.
    • Rheinisches Landesmuseum (Bonn, Germany): Holds artifacts and documents from the Electorate of Cologne era.
  • Book: The Cologne War by various historians (often covered in general histories of the Holy Roman Empire, such as German Armies: War and German Politics, 1648-1806 by Peter H. Wilson).

Location

  • General: Bad Godesberg, Bonn, Germany.
  • Coordinates: 50.6844° N, 7.1517° E

2. The First Battle of Springfield (1776)

Date: December 17, 1776

War: American Revolutionary War

  • Description: A skirmish during the New Jersey campaign following the British capture of New York.
  • Cause: British and Hessian forces attempted to advance toward Morristown to crush Washington’s retreating army. New Jersey militia forces made a stand to delay them.
  • Result: Strategic American Success. The militia, though outmatched, harassed the British forces enough to delay their advance, buying crucial time for George Washington to regroup the Continental Army across the Delaware River (setting the stage for the Battle of Trenton).

Art & Museums

  • Painting/Artwork:
    • Battle of Connecticut Farms (Depicts the region and similar militia actions) by Larry Felder (Contemporary).
    • The Spirit of ’76 (General association) by Archibald Willard (c. 1875). While not of this specific battle, it captures the militia spirit of the NJ campaign.
  • Museums with Artifacts:
    • Caldwell Parsonage (Union, New Jersey): Features displays on the NJ battles of Springfield and Connecticut Farms.
    • Washington’s Headquarters Museum (Morristown, New Jersey): Holds extensive Revolutionary War artifacts relevant to the NJ campaign.
  • Book: The Forgotten Victory: The Battle for New Jersey – 1780 (Covers the strategic context of both Springfield battles) by Thomas Fleming.

George Washington’s Revenge: The 1777 New Jersey Campaign and How General Washington Turned Defeat into the Strategy That Won the Revolution by Arthur S. Lefkowitz

Location

  • General: Springfield, New Jersey, USA.
  • Coordinates: 40.7182° N, 74.3073° W

3. The Battle of the Mississinewa (1812)

Date: December 17-18, 1812

War: War of 1812

  • Description: An expedition by U.S. forces against the Miami Indian villages in the Indiana Territory.
  • Cause: In response to Native American attacks on Fort Wayne and Fort Harrison, General William Henry Harrison ordered Colonel John B. Campbell to destroy Miami villages to prevent them from supporting British forces.
  • Result: U.S. Victory. American troops destroyed several villages and inflicted casualties. However, a counterattack the next morning and severe frostbite among U.S. troops forced a retreat.

Art & Museums

Location

  • General: Near the Mississinewa River, Grant County, Indiana, USA.
  • Coordinates: 40.6789° N, 85.8111° W

4. Capture of Laguna de Terminos (1846)

Date: December 17, 1846

War: Mexican-American War

  • Description: A naval operation led by Commodore Matthew C. Perry to secure the Mexican Gulf coast.
  • Cause: The U.S. Navy sought to cut off supplies to central Mexico and control the logwood trade in the Yucatan peninsula.
  • Result: U.S. Victory. Perry captured the town of Carmen (Laguna de Terminos) without firing a shot, effectively occupying the island and securing a strategic port.

Art & Museums

  • Painting/Artwork:
    • Commodore Matthew C. Perry (Portrait) by William Sidney Mount (c. 1850s).
    • Naval Expedition to Tabasco (Lithograph illustrating the campaign) by Sarony & Major (1847).
  • Museums with Artifacts:
    • U.S. Naval Academy Museum (Annapolis, Maryland): Holds artifacts related to Commodore Perry and the Mexican War naval campaigns.
    • Naval History and Heritage Command (Washington, D.C.).
  • Book:

Location

  • General: Ciudad del Carmen, Campeche, Mexico.
  • Coordinates: 18.6323° N, 91.8385° W

5. First Battle of Artois (1914)

Date: December 17, 1914 – January 13, 1915

War: World War I

  • Description: A major offensive by the French Army intended to break the trench stalemate on the Western Front.
  • Cause: French General Joffre ordered attacks on the Lorette Spur and Vimy Ridge to relieve pressure on other fronts and seize high ground from the Germans.
  • Result: Indecisive / Stalemate. The offensive began on December 17 but bogged down due to mud, fog, and entrenched German machine guns. It resulted in heavy casualties for minor territorial gains.

Art & Museums

  • Painting/Artwork:
    • Algerian Spahis in Artois (Lithograph) by Charles Huard (1914). Depicts North African troops in the region during the early winter battles.
    • Battle of Artois (Lithograph from “Europe During the War” series) by Anonymous (c. 1920). Held by the Met Museum.
  • Museums with Artifacts:
    • Lens’ 14 – 18 Great War Museum (Souchez, France): Dedicated to the battles of Artois.
    • National WWI Museum and Memorial (Kansas City, Missouri): Holds artwork and artifacts from the Western Front.
  • Book: Pyrrhic Victory: French Strategy and Operations in the Great War by Robert A. Doughty.

Location

  • General: Artois region (near Lens and Arras), France.
  • Coordinates: 50.3980° N, 2.7180° E (Notre Dame de Lorette)

6. Battle of St. Vith (1944)

Date: Intensified December 17, 1944 (Part of the Battle of the Bulge) (December 16-21, 1944)

War: World War II

  • Description: A critical defensive battle where the U.S. 7th Armored Division held the town of St. Vith against the German Ardennes Offensive.
  • Cause: Hitler launched a massive surprise attack to split the Allied armies. St. Vith was a vital road junction needed for the German advance.
  • Result: U.S. Defensive Success (Tactical). Although the town eventually fell days later, the defense on December 17 choked the German advance, disrupting their timetable and preventing them from reaching the Meuse River on schedule.

Art & Museums

  • Painting/Artwork:
    • Battle for Monte in the Ardennes (Watercolor painted near the front) by Robert Noel Blair (1945).
    • Message Center, 101st Airborne Division (Watercolor) by Olin Dows (1945).
    • Hold to the Last Round (Depicts the 28th Division on Dec 16-17) by James Dietz (Contemporary).
  • Museums with Artifacts:
    • National Museum of Military History (Diekirch, Luxembourg): Renowned for its Battle of the Bulge collection.
    • Bastogne War Museum (Bastogne, Belgium).
    • Airborne & Special Operations Museum (Fayetteville, North Carolina).
  • Book: A Time for Trumpets: The Untold Story of the Battle of the Bulge by Charles B. MacDonald.

Location

  • General: St. Vith, Belgium.
  • Coordinates: 50.2803° N, 6.1264° E

Books for sale

WarScholar Press

Contact Information

For more “Military History Inside Out” please follow me at www.warscholar.org, on Facebook at warscholar, on twitter at Warscholar, on youtube at warscholar1945 and on Instagram @crisalvarezswarscholar. Or subscribe to the podcast on Apple Podcasts | Google Podcasts | Stitcher | Spotify

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Battles of December 16 plus museums and artwork information

Battles of December 16 including descriptions of the battles, geographic locations, associated artwork, and museums where a person can find associated artifacts and artwork.

1. Battle of Noryang

Date: December 16, 1598

War: Imjin War (Japanese Invasions of Korea)

Historical Context

  • Cause: The Allied fleet of the Joseon Dynasty (Korea) and Ming Dynasty (China) attempted to intercept and destroy the retreating Japanese fleet as they tried to withdraw from the Korean peninsula following the death of Toyotomi Hideyoshi.
  • Result: A decisive Allied victory that resulted in the destruction of more than half of the Japanese fleet and marked the end of the Imjin War. However, it came at a great cost: the legendary Korean Admiral Yi Sun-sin was killed by a stray bullet during the pursuit.

Art & Artifacts

  • Painting: The Battle of Noryang (Six-fold screen)
    • Artist: Anonymous
    • Year: Late Joseon Dynasty (Exact year varies by copy, often 18th–19th century depictions of the 1598 event)
  • Painting: Portrait of Yi Sun-sin
    • Artist: Unknown (Hanging scroll format)
    • Year: Late 16th Century / Early 17th Century reproductions

Museums & Collections

  • National Palace Museum of Korea (Seoul, South Korea): Houses the famous six-fold screen depicting the battle.
  • The War Memorial of Korea (Seoul, South Korea): Features extensive exhibits on the Imjin War, including replicas of the Turtle Ship (Geobukseon) and artifacts related to Admiral Yi.
  • Hyeonchungsa Shrine (Asan, South Korea): A major shrine and museum dedicated to Admiral Yi Sun-sin, housing his personal diary (Nanjung Ilgi) and long sword.

Location

  • General Location: Noryang Strait, off the coast of Namhae County, South Korea.
  • Coordinates: 34.9458°
    N, 127.8744° E

Recommended Reading

2. Battle of Blood River (Battle of Ncome)

Date: December 16, 1838

War: The Great Trek (Voortrekker–Zulu Conflict)

Historical Context

  • Cause: Tensions between the Voortrekkers (Boer pioneers) and the Zulu Kingdom escalated over land disputes and the massacre of Piet Retief’s delegation by King Dingane. The Voortrekkers, led by Andries Pretorius, established a defensive wagon laager to confront the Zulu impis.
  • Result: A decisive Voortrekker victory. The Zulu forces suffered heavy casualties (over 3,000 killed) while the Voortrekkers suffered only three minor injuries. This victory was historically commemorated as the “Day of the Vow” and is now known as the Day of Reconciliation in South Africa.

Art & Artifacts

  • Painting: The Battle of Blood River
    • Artist: W.H. Coetzer
    • Year: Circa 1940s (Coetzer is famous for his historical tapestries and paintings of the Great Trek)
  • Painting: Zulu Massacre at Blood River
    • Artist: Harry Green
    • Year: 1978

Museums & Collections

  • Ncome Museum (KwaZulu-Natal, South Africa): Situated on the Zulu side of the river, this museum offers the Zulu perspective of the battle and Zulu culture.
  • Blood River Heritage Site (KwaZulu-Natal, South Africa): Located on the opposite bank, featuring a life-size replica of the bronze wagon laager.
  • Voortrekker Monument (Pretoria, South Africa): Contains a historical frieze and tapestry series by W.H. Coetzer depicting the battle.

Location

  • General Location: Banks of the Ncome River, KwaZulu-Natal, South Africa.
  • Coordinates: 28.1053°
    S, 30.5417° E

Recommended Reading

3. Battle of Nashville

Date: December 15–16, 1864 (Concluded on the 16th) War: American Civil War

Historical Context

  • Cause: Confederate General John Bell Hood besieged Nashville in a desperate attempt to reclaim Tennessee and cut off Union supply lines. Union General George H. Thomas launched a methodical, massive two-day attack to break the siege.
  • Result: A crushing Union victory. The Confederate Army of Tennessee was routed and effectively ceased to exist as a cohesive fighting force, ending major Confederate offensive operations in the Western Theater.

Art & Artifacts

  • Painting: The Battle of Nashville
    • Artist: Howard Pyle
    • Year: 1906 ( painted for the Minnesota State Capitol to honor the governor who led a charge there)
  • Print: The Attack on Shy’s Hill
    • Artist: Lt. Col. Howard Massey
    • Year: Late 20th Century (Contemporary historical art)

Museums & Collections

  • Tennessee State Museum (Nashville, USA): Holds a vast collection of uniforms, weapons, and battle flags from the conflict.
  • Minnesota State Capitol (St. Paul, USA): Houses Howard Pyle’s massive original painting in the Governor’s Reception Room.
  • Battle of Nashville Monument Park (Nashville, USA): Preserves key parcels of the battlefield, including Shy’s Hill.

Location

  • General Location: Nashville, Tennessee, USA (specifically the hills to the south of the city).
  • Coordinates: 36.1055°
    N, 86.7960° W
    (Vicinity of Shy’s Hill)

Recommended Reading

4. Battle of the Bulge (Start of the Ardennes Counteroffensive)

Date: December 16, 1944 (Start date) War: World War II

Historical Context

  • Cause: In a final attempt to turn the tide of the war, Adolf Hitler launched a surprise blitzkrieg through the dense Ardennes forest to split the Allied armies, seize the port of Antwerp, and force a negotiated peace.
  • Result: After initial German advances, the Allies (primarily US forces) held critical road junctions (like Bastogne). The German offensive eventually stalled and was pushed back, depleting Germany’s last reserves of armored vehicles and manpower.

Art & Artifacts

  • Watercolor: Battle for Monte in the Ardennes
    • Artist: Robert Noel Blair
    • Year: 1945 (Painted in a hospital in Liège shortly after the event)
  • Painting: K-Rations (Depicting the siege of Bastogne)
    • Artist: Aaron Bohrod
    • Year: 1945

Museums & Collections

  • Bastogne War Museum (Bastogne, Belgium): The premier museum for the battle, located near the Mardasson Memorial.
  • National Museum of Military History (Diekirch, Luxembourg): Famous for its large dioramas and extensive collection of vehicles from the battle.
  • The National WWII Museum (New Orleans, USA): Features an immersive gallery dedicated to the “Road to Berlin” and the Ardennes campaign.

Location

  • General Location: The Ardennes region, spanning eastern Belgium and Luxembourg.
  • Coordinates: 50.0000°
    N, 5.7167° E

Recommended Reading

Books for sale

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For more “Military History Inside Out” please follow me at www.warscholar.org, on Facebook at warscholar, on twitter at Warscholar, on youtube at warscholar1945 and on Instagram @crisalvarezswarscholar. Or subscribe to the podcast on Apple Podcasts | Google Podcasts | Stitcher | Spotify

Tags: military museum, military artwork, battles, Military History, War History, Battle Art, War Paintings, Military Art, December 16, On This Day, History, Military History, War History, December 16, Today In History, History Buff, Historical Facts, History Matters, #LearnHistory #BattleOfTheBulge #WWII #BattleOfNashville #CivilWar #BattleOfNoryang #YiSunSin #ImjinWar #BattleOfBloodRiver #Voortrekker #ZuluHistory #Ardennes1944 #WarArt #MilitaryArt #MuseumLife #ArtHistory #HowardPyle #HistoricalPainting #MuseumVisit #BastogneWarMuseum #TennesseeStateMuseum #KoreanHistory

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Jonathan Schneer interview – WWI history – The Lockhart Plot (Oxford University Press, 2020)

World War 1 – An interview with Jonathan Schneer about his new book The Lockhart Plot: Love, Betrayal, Assassination and Counter-Revolution in Lenin’s Russia published by Oxford University Press. The book discusses a British assassination plot directed against Lenin and Trotsky. Check out the book here   https://amzn.to/35MCf82

How did you become interested in studying and writing on the subject of your book?

I met Tania Alexander in London in about 1985. She had been born in Petrograd, Russia, (Petersburg today) in 1915 and had moved to the UK sometime during the 1930s. She passed away in 2004. We became good friends, and I would stay with her whenever I went to England to research a book. She had written an autobiography called An Estonian Childhood and, in fact, she had led a most interesting life. But the book was as much about her extraordinary mother as it was about her.

Her mother was the Baroness Budberg. Many historians have written about the Baroness, and she is the subject of two biographies. But the Baron Budberg was her second husband (and one with whom she did not spend much time). Previously she had been married to Djon von Benkendorff, a Russian diplomat and aide de camp to the Tsar during World War I, who was also Tania’s father, and who was murdered in 1918. Tania’s mother loved deeply, and romantically, only one man, however, and it was neither Budberg nor von Benckendorff, but rather Robert Hamilton Bruce Lockhart, whom she met in February 1918, when he arrived in Petrograd as Lloyd George’s emissary to the Bolsheviks.  I first learned about the Lockhart Plot from Tania, while discussing her mother. I realized immediately that the Plot could be the subject of a great book. Eventually it dawned on me that I could write it.

What is the book about and what major themes do you focus on?

On the one hand, the book traces how Bruce Lockhart and his circle came to develop a plot to murder Lenin and Trotsky and to overthrow the Bolsheviks in order to install a Government that would bring Russia back into the war against Germany. And how the Bolshevik secret police, the Cheka, led by “Iron Felix” Dzerzhinsky, penetrated the plot, defeated it and launched a Red Terror.  On the other hand, the book is about the all-consuming love affair between Bruce Lockhart and Moura von Benckendorff. It is very much a true historical thriller and romance.

Also, it is a story about the curdling of idealism on both sides: for Bruce Lockhart’s circle began as idealists who hoped to establish good relations with the Bolsheviks – and wound up planning to kill them; while, of course, the Bolsheviks themselves began with the intention of turning their country into a socialist paradise. Moreover, despite his genuine protestations of undying love, Bruce Lockhart basically left Moura in the lurch. And this, as the book shows, despite her probably having saved his life.

What sort of terms did Lockhart and/or the British feel they could negotiate over with the Bolsheviks before the plot began?

Prime Minister David Lloyd George sent Bruce Lockhart to Russia to persuade the Bolsheviks to stay in the war with Germany or, if they insisted on getting out, to sign a peace treaty with Germany that did not hurt British interests. It was Mission Impossible. The Bolsheviks took Russia out of the war anyway, without regard to what Britain wanted.

Bruce Lockhart thought, however, that Russia might get back into the war, if Britain offered economic and even military aid. Britain wanted to safeguard three Russian ports that were filled with war materials: Murmansk and Archangel in the northwest and Vladivostok in the far east. For a few months Bruce Lockhart genuinely believed Russia still needed Britain as a counterweight to Germany, even though Russia was out of the War. He thought that if Britain offered aid to Russia, the Bolsheviks would let them into the ports in return. And, indeed, the Bolsheviks did fear that Germany might invade and overthrow them.

But when the German General, Ludendorff, launched the last great offensive on the western front, the Bolsheviks realized Germany presented no threat to them anymore, and they ignored Bruce Lockhart’s proposals. So, Bruce Lockhart advised Britain to occupy the ports without Russian permission. It was a short step from that to advising that Britain and the Allies join with Russian counterrevolutionaries to overthrow the Bolsheviks.

Why did Lockhart or others involved in this plot have reason to believe they could reverse the Revolution by simply killing Lenin and/or Trotsky?

Killing Lenin and Trotsky was hardly the entire plan. Bruce Lockhart thought he had bribed the leaders of the Latvian Rifle Brigade, which, at a time when the Russian Army was simply melting away, had been the Bolsheviks’ most reliable military support. The plan was for Allied forces to head south from Archangel, and west along the Trans-Siberian Railway, shepherded by the Latvian Rifle Brigade, and to meet in a town called Vologda, from which they could threaten both Moscow and Petrograd. With the help of the Rifle Brigade again, and White Russian counter-revolutionary forces, they could take those two most important cities.

Allied agents and counter-revolutionaries already were destroying crops, blowing up infrastructure, to make governing Russia, and feeding it, harder for the Bolsheviks. Simultaneously, they were stockpiling food to be released as soon as a new regime took over. A meeting of top Bolsheviks was to take place in Moscow on September 14, 1918. That was when, and where, Bruce Lockhart’s group thought they could capture and kill Lenin and Trotsky – once again with the help of the Latvians. For further details of the Plot, read the book.

Was there any German involvement in trying to stop this plot?

No.

What happened to British and Soviet relations after this event?

Well, obviously, the Lockhart Plot did not improve them. In fact, it hardened Bolshevik suspicion of the West. And what goes around, comes around: now we have Putin meddling here. (Not as a direct consequence of the Lockhart Plot, of course.)

Bruce Lockhart’s original plan was a better one: if Britain had followed his earlier advice, and worked with, rather than against, the Bolsheviks, then British-Soviet relations would have evolved much more smoothly. Also, if the Soviets had less reason to fear and hate the West, they might have softened their hardline domestic policies. But that is a “what if,” nothing more.

What resource materials or archives did you primarily use for your research?

I spent many months at the National Archive in Kew mainly going through Foreign Office and Admiralty files, but many others too, including recently released MI5 documents. I saw Lockhart’s diaries at the House of Lords Records Office. I visited archives at the Imperial War Museum, Cambridge University, Oxford University, Leeds University, Kings College, London.  Oddly, Lockhart’s papers are held by two US institutions, the Hoover Institute at Stanford University, and Indiana University. The Hoover Institute holds many other relevant collections. The Wisconsin Historical Society has the diary of one of Bruce Lockhart’s close associates, Raymond Robins.

Also, I was enormously lucky to find a research assistant, Andrey Shlyakhter, who is just now defending his PhD dissertation for the University of Chicago. Andrey, who was born in Russia, helped me find, and then translated for me, not only the obvious Russian sources, but many obscure ones.  Through Andrey, I corresponded with Russian and Ukrainian scholars, and accessed documents few Westerners have seen.

Finally, an American historian of Russia, Richard Spence, gave me Russian documents he obtained years ago, the originals of which are no longer available to scholars. Through Richard, I also viewed French Intelligence documents.

Was there a particularly difficult issue to research because of lack of information or access to information?

Yes, and this is key.  The central theme of the book is difficult to research. Bruce Lockhart’s plot was an illegal, early, attempt at regime change. The British Government claimed never to have sanctioned it. Bruce Lockhart, himself, claimed that it was not his plot but Sidney Reilly’s. I am certain he lied about that, but I cannot prove it. There are no entries in his diary for the twenty or so days before the Plot was supposed to launch. Anyway, he always knew the diary might be confiscated, so was careful what he wrote in it.  The same is true for the cables he sent to the Foreign Office and that the Foreign Office sent to him. There is no smoking gun cable announcing, or authorizing, the Plot. I suspect, but cannot prove, that Foreign Office officials weeded the files. In the book, I never state positively something that I only suspect.  I lay out the evidence and let the reader decide.

Secondly, Russian files, notably the Cheka files held at the FSB Academy, would certainly cast light into the Plot’s shadowy corners. For a moment, while Gorbachev held power, researchers could have seen them. I do not believe any historian was working on the Plot then, however. And then, when Gorbachev fell, that window slammed shut.

Were the Cheka particularly skillful at what they did or they mostly use terror and brutality to combat what they perceived to be problems?

The Cheka was extraordinarily skillful. Its leader, “Iron Felix” Dzerzhinsky, is one of the Revolution’s most striking characters, a Bolshevik Savonarola “rooting out the heretics.” He had spent a quarter-century plotting against the Tsar, so knew all there was to know about plotting.  With regard to the Lockhart Plot, he knew that British and French and American officials in Russia were plotting against the Bolsheviks, and that they were interested in the Latvian Rifle Brigade, but he had no details. Basically, he sent three Latvian Cheka agents pretending to be counter-revolutionary officers in the Rifle Brigade to meet Bruce Lockhart and colleagues. Bruce Lockhart thought he finally had found the military support he needed to ensure success. The rest is history.

Afterwards, the Cheka grew increasingly brutal. Dzerzhinsky launched the first “Red Terror” when he thought Bruce Lockhart’s plotters had somehow gotten a step ahead of him. That set an awful precedent. Dzerzhinsky is a fascinating figure who was prepared to build and defend what he truly thought was going to be a socialist paradise in Russia — by whatever means were necessary.

What is your current or next writing project?

I am in the midst of writing a big book about the British General Strike of 1926. I began as a labor historian, and I am now returning to my roots.

Where can people find you online?

I do not blog or have a web page. People can Google my name and find many, many entries. They show my other books, interviews, etc. There is also a Wikipedia entry.

Biographical information

Name: Jonathan Schneer (Emeritus Professor, Georgia Institute of Technology)

Position and specialty: Historian of Modern Britain

Project/work being discussed: The Lockhart Plot: Love, Betrayal, Assassination and Counter-Revolution in Lenin’s Russia, OUP, 2020.

Links of interest

Check out the book here   https://amzn.to/35MCf82

https://global.oup.com/academic/product/the-lockhart-plot-9780198852988?cc=us&lang=en&

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